When translating the title of God, the reader gets thrown inexorably into a thick and inescapable tangle, a veritable “gnommero” (practically, an unsettling jumble, according to the dense and coloured expression of Carlo Emilio Gadda’s linguistic artistry). In a specific perception, the end result is prejudiced equally through the very https://nilese591mmf9.wikicorrespondent.com/user